Blake Williams returns to MIFF with a stereoscopic 3D piece that collapses time, distance and intimacy.
Remembrance blooms in this New York Film Festival–premiering avant-garde short.
Shot on cold-hued 16mm, this mournful, restless ode to Hong Kong sketches the city’s fragile present and indefinite future.
Kevin Jerome Everson’s camera dances with a rollerskater in this mesmerising exercise in fluidity and embeddedness.
Poised at the intersection of activism and art, wunderkind Fox Maxy’s TikTok-esque tapestry documents the injustice and legacy of colonisation.
In the age of information overload, the challenge is to avoid drowning.
Siegfried A. Fruhauf returns with a dazzlingly abstracted Rorschach-like lightshow.
Peter Tscherkassky pays homage to avant-garde filmmaker Kurt Kren, his own film L’arrivée and the cinema’s original muse in this Cannes Directors’ Fortnight selection.
Dianna Barrie and Richard Tuohy present a lo-fi 3D film captured in the crushing shadow of volcanoes.