The perpetration and subsequent cover-up of one of the 20th century’s worst mass murders are examined in detail in Sergei Loznitsa’s remarkable archival collage.
A Soviet official finds her loyalty to the regime tested when her daughter goes missing in the aftermath of a massacre.
The directorial debut from producer Tanith Glynn-Maloney reimagines the 1954 auditions for Charles Chauvel’s iconic final film.
A guided tour through art history as seen through the female gaze – and a savvy, subversive rejoinder to centuries of representation from the eyes of the male beholder.
Oliver Stone knows who really killed the president. Now, his new documentary sets out to convince you.
Peter Tscherkassky pays homage to avant-garde filmmaker Kurt Kren, his own film L’arrivée and the cinema’s original muse in this Cannes Directors’ Fortnight selection.
Winner of Best Short Film at the Swiss Film Awards, this documentary observes the impact of time – and historical trauma – on one commemorative street.