Dos en la vereda
In Lisandro Alonso’s debut short, two young men sit on a stoop and observe their urban surroundings.
Double Freedom
In his newest work, fresh from its Cannes 2026 premiere, visionary director Lisandro Alonso revisits his acclaimed debut with a beguilingly rhythmic rural family tale.
Eureka
Alonso’s hugely ambitious triptych explores the collision between Indigenous lives and colonisation.
Fantasma
Reuniting the two ‘lonely men’ from Los muertos and La libertad, Lisandro Alonso’s third film wanders lost through the halls of a run-down movie house.
Jauja
A revisionist western interrogating colonisation, Alonso’s beguiling historical feature reinvents itself with a mystifying final act.
La libertad
Made on a shoestring when the director was just 25, Lisandro Alonso’s groundbreaking first feature gatecrashed Cannes with a hypnotic depiction of rural labour.
Los muertos
Lisandro Alonso’s sophomore feature follows a newly freed ex-con on an upriver trip into the jungle, seeking either redemption or retribution.
No Title
In this beguiling miniature, an owl returns the audience’s stare.
Sin título (Carta para Serra)
Returning to the landscape of La libertad, Lisandro Alonso’s camera floats through an environment alive with hunters, dogs and monologued mythology.
Dos en la vereda
Double Freedom — La Libertad Double
Eureka
Fantasma
Jauja
La libertad
Los muertos