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WORLD OF APU

India, 1958 (MIFF 1968, Programme 33)

Director: Satyajit Ray

The third part of the Bengali saga continues the story of Apu, now a young man living in Calcutta and dreaming of a literary career and a positive future. An old friend invites him to a village wedding. When the marriage is called off due to the bridegroom's illness, Apu is asked to marry the girl in order to spare her the traditional ill-luck of a v/aiting bride. Though horrified by these ancient superstitions Apu agrees, and returns to Calcutta with his bride. Slowly and miraculously a bond of love grows between them and Apu begins to work again. Suddenly a tragedy robs him of his wife; lost in despair, he destroys his writings and wanders disconsolately around the countryside. One day, his friend finds him and urges him to go back to the young son he has never seen. Apu decides to return and win his son's affection.

The poetic beauty of the first two films is present here also, and there is a maturity not merely of outlook, but of expression, and the sensitive handling of the characters makes many of the sequences unforgettable. The total impression it creates is of a profound emotional realism unequalled in the Indian cinema, and seldom found elsewhere.

See also...

WORLD OF APU

So much has already been written about Pather Panchali and Aparajito that Ray's trilogy was destined for classic status even before the release of the third instalment, and the various influences ... More »

JALSAGHAR

Jalsaghar is one of the few films made by Salyafit Ray. apart from the great Bengali trilogy about the life of the boy Apu. It leisurely and patientty unfolds Ihe story of the decline of the last ... More »

THE MUSIC ROOM

This film was made between the second and third parts of the Apu trilogy. Where the trilogy shows the gradual breaking up of the simple traditional family life and religion, and their replacement by ... More »

THE KINGDOM OF DIAMONDS

"It is an ironic comment that the major audiences for Satyajit Ray's mature works are in the West, whilst commercial interests in India limit them to a small coterie: yet his children*s films have a ... More »

DISTANT THUNDER

This is Satyajit Ray's second film in colour, and the Grand Prize winner at the Berlin Festival. The film is set in 1942, and its subject is the impact of war on an isolated Bengali village. ... The ... More »

THE STRANGER

... ... The great Indian director Satyajit Ray died in April, shortly after receiving an Oscar for his lifetime achievements. His last film,The Stranger, is a deceptively simple but affecting moral ... More »

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