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WORLD OF APU

India, 1958 (MIFF 1968, Programme 33)

Director: Satyajit Ray

The third part of the Bengali saga continues the story of Apu, now a young man living in Calcutta and dreaming of a literary career and a positive future. An old friend invites him to a village wedding. When the marriage is called off due to the bridegroom's illness, Apu is asked to marry the girl in order to spare her the traditional ill-luck of a v/aiting bride. Though horrified by these ancient superstitions Apu agrees, and returns to Calcutta with his bride. Slowly and miraculously a bond of love grows between them and Apu begins to work again. Suddenly a tragedy robs him of his wife; lost in despair, he destroys his writings and wanders disconsolately around the countryside. One day, his friend finds him and urges him to go back to the young son he has never seen. Apu decides to return and win his son's affection.

The poetic beauty of the first two films is present here also, and there is a maturity not merely of outlook, but of expression, and the sensitive handling of the characters makes many of the sequences unforgettable. The total impression it creates is of a profound emotional realism unequalled in the Indian cinema, and seldom found elsewhere.

See also...

WORLD OF APU

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Jalsaghar is one of the few films made by Salyafit Ray. apart from the great Bengali trilogy about the life of the boy Apu. It leisurely and patientty unfolds Ihe story of the decline of the last ... More »

THE MUSIC ROOM

This film was made between the second and third parts of the Apu trilogy. Where the trilogy shows the gradual breaking up of the simple traditional family life and religion, and their replacement by ... More »

The Inner Eye

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THE ELEPHANT GOD

Each new film by Satyajit Ray brings with it fond memories of earlier privileged moments from this master of cinema. Ray has now been at the height of his powers for some years, and his work in the ... More »

PATHER PANCHALI

The 1956 Cannes Festival was remarkably rich in entries from famous directors. ^ Yet-in warmth, humanity and poetic sensitivity none could measure up to the first work of an outstanding film-maker ... More »

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