Director: Chantal Akerman
The film follows the dance group of Pina Bausch in Germany, Italy and Avignon in France during her most recent European tour. It shows the working atmosphere, the presentation, the intense rehearsals, before and after each performance. An attempt is also made to talk privately to Bausch about her childhood, her debut as a choreographer, her artistic standpoint, and her relationship with her dancers.
It is a fascinating confrontation between two major European artists of the Seventies and Eighties. Chantal Akerman was born in Brussels in 1950, of Flemish descent. Influenced by the work of Godard, and later Michael Snow, she has been making films since the age of eighteen. A severe formalist and profound investigator of human experience, she has been hailed by feminist critics and others who enjoy the challenge of (apparently) "difficult" films.
Belgium, France, 1986
“Like Jacques Demy on speed.” - Time Out ... Chantal Akerman's candy-coloured musical is set entirely in a Parisian shopping mall, in an unashamed celebration of 80s French pop, young love and fr… More »
“I saw Pierrot le fou by chance… I decided to make movies the same night.” - filmmaker Chantal Akerman. ... Marking a transition between Jean-Luc Godard's earlier works and his later more … More »
Belgium/France/West Germany, 1978
In 1975, Chantal Akerman made Jeanne Dielrnan, 23 Quai du Commerce, 1080 Bruxelles, and since then, she has been in the forefront of a developing feminist cinema. Les rendez-vous d'Anna Chantal Akerm… More »
lmages of night and images of love are ... interwoven with each other, couples ... meet and separate, fragments of life are ... captured in short scenes. They don't tell ... a story, and yet, they te… More »
The Melbourne Him Festival has been showing Chantal Akerman's highly original and demanding films regularly over the years ("Jeanne Dielrnan", "Les Rendezvous D'Anna", "Toute Une Nuit",) with varying… More »