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TAIPEI STORY

Taiwan / China, 1985 (MIFF 1986)

Director: Edward Yang

Here's another feather in the cap for Chinese cinema, this time from Edward Yang, a relatively new director (his second feature) who was born on the mainland, studied for a while in the US, and now lives and works in Taiwan TAIPEI STORY is a refreshing, intelligent study of a disintegrating relationship involving a young couple who. on the surface, have everything going for them.

Chin (Cai Qin) is a successful career woman, personal assistant to a woman executive in a computer company. Lon (Hou Xiaoxian) works for a fabric company, but is a bit restless, clinging to memories of his past success as a baseball player and to a former girlfriend, Cwan. who married a Japanese and lives in Tokyo Chin and Lon have been engaged a long time but somehow never got married. Chin is moving into a smart new apartment, and expects Lon to live there with her, but everything goes wrong.

Chin loses her job when her company is taken over; her father starts borrowing large sums of money from her; Ling her younger sister, leads a wild life and needs an abortion; and she suspects that Lon, on a trip to LA to see relatives, stopped over in Tokyo to see Gwan Lon has his problems too. He gambles away his money, can't decide to take the final step and marry Chin, and is worried for his old friend, Kim, who's fallen on hard times. The relationship starts to fall apart, and ends in an unexpected, futile tragedy.

All this is deftly presented in crisp, telling sequences. Yang shows the breakdown of traditional family life and subtly indicates the uncertainties of life in Taipei itself, with its mighty neighbour becoming more assertive and nothing as permanent as it used to be.

See also...

TAIPEI STORY (PG)

“[A] quietly stunning drama which sees the various problems facing a rapidly modernised city reflected in the lives of a dozen or so subtly observed characters.” - Time OutStarring MIFF regular ... More »

TERRORIZER, THE (M)

“The film suggests that we all have our ways of ‘terrorizing' each other, and that we'd all like our lives to be as coherent and resolved as fiction. Yang reaches high, and his aim is true.” ... More »

A ONE AND A TWO

Aside from screenings at prestigious international Film Festivals from London and Hong Kong to New York and Toronto, A One and a Two has picked up a slew of awards including Best Director at Cannes ... More »

A BRIGHTER SUMMER DAY

... ... Edward Yang's long-awaited fourth feature is an independent production on an epic scale, a picture of Taiwan in 1960/61 as reflect­ed in the story of a teenage boy who kills a schoolgirl ... More »

MAHJONG

“Yang's angriest and most provocative film, and also probably the one that's elicited the most anger from viewers, especially in the West.” - Chicago ReaderConsisting of seemingly disparate story ... More »

BRIGHTER SUMMER DAY, A

"This film is so uncommonly good that Yang's other very impressive works pale beside it." - Chicago Reader ... Often spoken of in terms of ‘genius' and even ‘one of the greatest films ever made' ... More »

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