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Blitze

Austria, 2000 (MIFF 2000, Peepshow – Titillation & The Moving Image)

Director: Dietmar Brehm

In Blitze, Dietmar Brehm generates a sordid Kuleshov effect, where the face of the voyeur is transformed by what he watches and what he watches is transformed by being watched. The impact of the gaze is marked by lightning bolts as the voyeur opens his eyes to a series of images, illicitly watching people in their beds. See the Schwartzer Garten (Black Garden) series in Programme Two for more Dietmar Brehm.

See also...

MIX-1

Inside a collection of fragments we begin to find the gradual definition of things, spaces, glimpses of a camera an eye looking back at us the scratchy, almost fidgety sounds of a film whirring into ... More »

Party

Using Russian, Japanese and American porn and his own footage. Brehm creates a matrix in which graphic anatomical parts act as the optical lubricant to the sound of someone shaving. On a ... More »

Ãœbung

Brehm's übung (Exercise) started when he picked up an unfamiliar 8mm camera and experimented with shooting into a three part mirror in a simple panning motion. In editing, Brehm discovered that ... More »

The Murder Mystery

A pornographic-sadistic fantasy of murder in flickering black and white and torn images, The Murder Mystery is thick with the colour of violence. On the minimal soundtrack ocean sounds create an ... More »

Korridor

Korridor is composed mostly of found footage and Brehm's mirror projections into the preexisting compositions. The filmmaker stalks a neo-gothic gallery of pornographic actors engaged in gloomy ... More »

Blicklust

Blicklust sets up a perverse dynamic of scientific and sadistic study. Commencing with an elaborate diagram of an eye, the film plummets into an indeterminate shadow world, peering through ruffled ... More »

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