MIFF 1983

Mari Kuttna (Programme Director), Erwin Rado (Acting Director)
#32

Festival Program
107 feature films and 117 short films were screened from 22 June to 3 July
Full Program

Program in Focus
The 1983 program featured a retrospective of veteran Australian filmmakers John Heyer and Cecil Holmes. Five Michael Nicholson short films were also screened, thematically centered on 'ironical comments on the social and political scene'. 

Films of note: The King of Comedy (Martin Scorsese), The Trout (Joseph Losey), The Woman in Love With Mechanic Gavrilov (Pyotr Todorovsky), Sunless (Chris Marker), Ten Thousand Suns (Ferenc Kosa).

Filmmaker in Focus
John Heyer {focus John Heyer} and Cecil Holmes {focus Cecil Homes}. A retrospective of Heyer's and Holmes' work was screened.

Opening Night Film
The Draughtsman's Contract (Peter Greenaway)
More

Image Gallery

Films

DANIEL TAKES A TRAIN

Szerecsés Dániel
MIFF 1983
MIFF 1983
UK
MIFF 1983

LAND OF PLENTY

Der er et Yndigt Land
MIFF 1983

MONEY

L'argent
MIFF 1983

SUNLESS

Sans soleil
MIFF 1983

The Day I Stopped Smoking

Dan Kad Sam Prestao Pušiti
MIFF 1983

THE FINAL COMBAT

Le dernier combat
Director Luc Besson
MIFF 1983
UK
MIFF 1983

THE STATE OF THINGS

Der Stand der Dinge
Director Wim Wenders
MIFF 1983

From the Festival Files

Making the Festival

The Melbourne Film Festival began as the idea of a few passionate individuals. A sub-committee, formed from delegates to the 1951 Australian Council of Film Societies film weekend, suggested that a small festival of films in the tourist town of Olinda should be held in 1952. The resulting festival was a testament to the do-it-yourself initiative of the Olinda festival committee. As some 800 festiv …

You Had to Be There

The thrill of the festival happens in a moment. In the shared moments created in being present at the festival, and in sharing experiences with others in the MIFF community. These moments are the instances that set the festival apart from the everyday, that remind us that we live in the present, and that some experiences are just too unique to replicate. … Each year, we return to the festival to …