MIFF Critics Campus intern Faith Everard speaks with Strange Colours director Alena Lodkina.

MIFF 2018 Critics Campus participant Eliza Janssen interviews the writer/director of the MIFF Premiere Fund-supported Undertow, Miranda Nation.

2018 Critics Campus participant Valerie Ng spoke to Yellow is Forbidden director Pietra Brettkelly about her artistic process, and the responsibility of being a documentary filmmaker.

MIFF 2018 Critics Campus participant Ivana Brehas caught up with festival guest David Zellner to discuss the goofy, contemporary Western, Damsel.

Director of the MIFF Premiere Fund-supported UNDERMINED: TALES FROM THE KIMBERLEY speaks about the unique challenges of making a film in the remote Kimberley region, and the international relevance of the tensions between first peoples and developers.

MIFF Accelerator Lab alumna Miranda Nation makes her feature directorial debut with Undertow, a Geelong-shot psychological thriller about grief and obsession set against the backdrop of local footy culture. Miranda sat down with MIFF to discuss the female experience, #MeToo, men's reactions to women's stories, and Geelong's cinematic coastline.

Undertow is a psychological thriller that combines d

Sue Thomson, director of our Closing Night Gala World Premiere screening of The Coming Back Out Ball Movie, answers a few questions about the struggles facing LGBTIQ seniors and how she became involved in this joyous event.

The director of the MIFF Premiere Fund supported documentary The Eulogy spoke to us about how she became interested in the work of Geoffrey Tozer, and what it was like to work with the big personalities of Paul Keating and Richard Gill.

Wendall Thomas returns to Melbourne for more of her series unlocking the secrets of screen writing. Ahead of her arrival we asked her a few questions.

Ahead of his series of Illustrated Film Talks on Tinseltown Trailblazers, we catch up with Adrian Wootton to ask him a few questions about the Hollywood stars of the turbulent 1950s.