Gillian Armstrong talks Starstruck, High Tide and being a Pioneering Woman in an interview with MIFF2017 Critics Campus participant Faith Everard.

MIFF2017 Critics Campus participant Kai Perrignon speaks to Thai director Anocha Suwichakornpong about her film By the Time it Gets Dark

Four participants from the 2017 Critics Campus tackle Terrence Malick’s Song to Song in these short reviews, with a diverse range of responses.

Through Bill Morrison's Dawson City: Frozen Time and Niles Atallah’s Rey, MIFF2017 Critics Campus participant Keva York reflects on the materiality of cinema history.

A video essay by 2017 Critics Campus participant Amanda Barbour explores the queer Marxist possibilities opened up by Shinya Tsukamoto’s Tetsuo: The Iron Man.

The Pioneering Women filmmakers of Australian cinema look into aspects of women’s experiences often ignored by their male counterparts, argues MIFF 2017 Critics Campus participant Faith Everard.

2017 Critics Campus participant Phoebe Chen strips back the glamour in her look at Reiner Holzemer’s Dries and the fashion documentary.

The ethics of movies about real life serial killers like Marc Meyers' My Friend Dahmer is placed under the microscope by 2017 Critics Campus participant Kai Perrignon.