Critics Campus 2024 participant Isabella Gullifer-Laurie writes on Niki de Saint Phalle’s 1976 feature, a surreal journey into a whimsical, frightening and aggressively sexualised dream world.

Ena Sendijarević’s acidic satire Sweet Dreams receives some critical attention from four of our Critics Campus participants: Alice Bellette, Grace Boschetti, Austin Lancaster and Dylan Rowen.

Critics Campus 2024 participant Isabella Gullifer-Laurie speaks to Audrey Lam about her library-set experimental feature, a meditative journey through architectural space and pages.

Critics Campus 2024 participant Nicole Cadelina explores the textures and spaces of Trương Minh Quý’s poetic excavation of queer romance and memory.

Pedro Freire’s resonant portrait Malu gets the critical treatment from four of our 2024 Critics Campus participants: Daniel Tune, Isabella Gullifer-Laurie, Nicole Cadelina and Tara Kenny.

Critics Campus 2024 participant Alice Bellette unpacks a gory and Gothic new Australian horror comedy, finding a satirical representation of the present that fails to wholly reckon with the nation’s past.

Critics Campus 2024 participant Grace Boschetti explores the career of innovative filmmaker Yvonne Rainer, devoting particular focus to her 1974 feature Film About a Woman Who… and its intimate, unorthodox deconstruction of a woman’s conflicting feelings about her relationship.

Critics Campus 2024 participant Dylan Rowen discusses the reflections on trans and queer experience in I Saw the TV Glow’s existential horror–infused tale of hope and letting go.