The internet has become central to our way of living and social networking is a global revolution. How has the online environment altered the way we behave, relate to each other and understand the world? How has popular culture attempted to reflect, understand and challenge the impact of the online world?
This panel discussion – consisting of experts dedicated to exposing and preventing the human right abuses – continues the discussion Buoyancy begins, with a focus on providing information and strategies to call for transparency and traceability of seafood products in our supply chains.
A panel of critics and filmmakers discuss if there are certain stories that cannot – or should not – be told, except by artists of a particular race, gender or lived experience.
Australian filmmaker Rolf de Heer speaks to 2019 MIFF Critics Campus participant Zach Karpinellison about his latest collaboration with directors Mark Eland and Molly Reynolds; the groundbreaking 3D VR experience The Waiting Room.
2019 Melbourne International Film Festival guest Peter Strickland talked to Critics Campus participant Isabella Trimboli about his career in the context of the festival's Director in Focus retrospective.
2019 MIFF Critics Campus participant Jamie Tram talks to Nicole Whippy, one of the directors of the portmanteau film Vai.
Conor Leach dazzles in Samuel Van Grinsven’s Sequin in a Blue Room, who chats to 2019 Critics Campus participant about his role in the film and queer culture both on screen and off in Australia today.
In this video interview, 2019 festival guest Peter Strickland speaks to MIFF Critics Campus participant Olivia Bennett about his latest film, In Fabric.
Filmmaker Maya Newell talks to 2019 MIFF Critics Campus participant Claire Cao about her latest documentary, In My Blood It Runs.
Australian filmmaker Sophie Hyde speaks to 2019 MIFF Critics Campus participant Zoë Almeida Goodall about her latest film Animals and her career more broadly.
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