Critics Campus participant Digby Houghton speaks to Senses of Cinema co-director John Hughes about subversion, collective filmmaking and historiography.

Critics Campus participant Andrew Fraser speaks to Petrol writer/director Alena Lodkina about creative synergies, cultural cringe and challenging audiences to watch films as co-creators.

Critics Campus participant Lily Rodgers speaks to director Beck Cole about collaboration, revelation and transformative storytelling as embodied in the dynamic anthology We Are Still Here.

Hannah Barlow and Kane Senes’s Sissy receives some critical attention from four of our 2022 Critics Campus participants: Isabelle Carney, James Walsh, Digby Houghton and Lily Rodgers.

Critics Campus participant Lamya Nawar dissects the inertia and contrivances – depicted and in delivery – at the heart of Christian Tafdrup’s Speak No Evil.

Critics Campus participant Isabelle Carney speaks to Lime Parfait director Pat Mooney about intent, nostalgia and the ethics of the fib.

Critics Campus participant Brooke Heinz speaks to producer Kerry Warkia about the importance of representation and collective creativity, as exemplified by the film Kaīnga and its predecessors Waru and Vai.

Critics Campus participant Lily Rogers examines the calibrations of suggestion, subtlety and reticence in Charlotte Wells’s Aftersun.