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Revue
Down the Rabbit Hole: An Interview with Alena Lodkina
Critics Campus participant Andrew Fraser speaks to Petrol writer/director Alena Lodkina about creative synergies, cultural cringe and challenging audiences to watch films as co-creators.
A Film That Talks: An Interview with Beck Cole
Critics Campus participant Lily Rodgers speaks to director Beck Cole about collaboration, revelation and transformative storytelling as embodied in the dynamic anthology We Are Still Here.
Funny Pages – Four Ways
Owen Kline’s coming-of-age black comedy Funny Pages gets the critical treatment from four of our 2022 Critics Campus participants: Andrew Fraser, Ellen O’Brien, Lamya Nawar and Brooke Heinz.
Your Money, My Problem: Halina Reijn’s Bodies Bodies Bodies
Critics Campus participant Ellen O’Brien reflects on the entanglement of fascination, aspiration and alienation when watching screen portrayals of wealth, using Halina Reijn’s Bodies Bodies Bodies as her jumping-off point.
Sissy – Four Ways
Hannah Barlow and Kane Senes’s Sissy receives some critical attention from four of our 2022 Critics Campus participants: Isabelle Carney, James Walsh, Digby Houghton and Lily Rodgers.
Killed Off: The Ultimate Villain in Speak No Evil
Critics Campus participant Lamya Nawar dissects the inertia and contrivances – depicted and in delivery – at the heart of Christian Tafdrup’s Speak No Evil.
Between Silly and Sincere: An Interview with Pat Mooney
Critics Campus participant Isabelle Carney speaks to Lime Parfait director Pat Mooney about intent, nostalgia and the ethics of the fib.
Making Seats at the Table: An Interview with Kerry Warkia
Critics Campus participant Brooke Heinz speaks to producer Kerry Warkia about the importance of representation and collective creativity, as exemplified by the film Kaīnga and its predecessors Waru and Vai.
Aftersun and the Great Unknown
Critics Campus participant Lily Rogers examines the calibrations of suggestion, subtlety and reticence in Charlotte Wells’s Aftersun.
The Australian Ugliness: Thomas M. Wright’s The Stranger
Critics Campus participant Andrew Fraser unravels the ethical tightrope trod by Thomas M. Wright’s The Stranger and male-focused true-crime films of its ilk.
Homeward Bound: An Interview with Sue Thomson
Critics Campus participant Ellen O’Brien speaks to Under Cover director Sue Thomson about her connection to older women and homelessness, navigating the public storytelling of private and intimate experiences, and working with Hollywood star Margot Robbie.