The Pioneering Women filmmakers of Australian cinema look into aspects of women’s experiences often ignored by their male counterparts, argues MIFF 2017 Critics Campus participant Faith Everard.

2017 Critics Campus participant Phoebe Chen strips back the glamour in her look at Reiner Holzemer’s Dries and the fashion documentary.

The ethics of movies about real life serial killers like Marc Meyers' My Friend Dahmer is placed under the microscope by 2017 Critics Campus participant Kai Perrignon.

Nothing Lasts Forever is one of a number of subversive sci-fi satires worthy of your attention, says 2017 Critics Campus participant Dominic Ellis.

Jane Campion celebrates the spirit of women in their prime both on screen and in person with Top of the Lake: China Girl, writes 2017 Critics Campus participant Blythe Worthy.

MIFF 2017 Critics Campus participant Blythe Worthy traces the journey made by Nicole Kidman and Jane Campion to bring them both to Top of the Lake: China Girl

MIFF Critics Campus participant Kai Perrignon takes a look at the beginnings of the Greek "weird wave" that paved the way for Yorgos Lanthimos

In the final Critics Campus 2016 article, participant Doosie Morris talks true crime, vulnerability, and community with Joe Cinque’s Consolation director Sotiris Dounoukos.

Critics Campus 2016 participant Jessica Ellicott discusses virtuous women, the language of dance, and wanting to be Jesus with Ma director Celia Rowlson-Hall.

Critics Campus 2016 participants Aimee Knight, Tanya Farley, Isabella McNeill, and Ella Donald review Kleber Mendonça Filho’s Aquarius.