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Revue
High and Dry: Anthony Chen’s Wet Season
Critics Campus 2020 participant Michelle Wang takes a look at the portrayals of loneliness and yearned-for comfort in Anthony Chen’s Wet Season.
Hauntings of Memory: The Past Relived in Playback
Critics Campus 2020 participant Angus McGrath delves into recollection, representation and materiality as seen in Agustina Comedi’s Playback.
Transformation and Self-Destruction in Anne at 13,000 Ft
Critics Campus 2020 participant Annika Morling dives into the sensitive, skilful character study that is Kazik Radwanski’s Anne at 13,000 Ft.
The Gay Generation Gap in Suk Suk and Ellie & Abbie (& Ellie’s Dead Aunt)
Critics Campus 2020 participant Merryana Salem examines the handling of intergenerational LGBTQIA+ issues in Suk Suk and Ellie & Abbie (& Ellie’s Dead Aunt).
Walls of Silence: Outside the Oranges Are Blooming and The Plastic House
Critics Campus 2020 participant Jack Rowland explores the depictions of silence and solace in Outside the Oranges Are Blooming and The Plastic House.
Meet MIFF Ambassador Steven Oliver
Steven Oliver discusses representation, humour and MIFF 68½ Program Spotlight film Looky Looky Here Comes Cooky.
Meet MIFF Ambassador Stanislava Pinchuk
Stanislava Pinchuk discusses art, place, transience and her top picks for MIFF 68½.
Meet MIFF Ambassador Fayssal Bazzi
Fayssal Bazzi discusses his extensive career, his longstanding relationship with MIFF and his hopes for screen culture's future.
Meet MIFF Ambassador Mirrah Foulkes
Mirrah Foulkes discusses her filmmaking journey, her love of Melbourne and her top picks for MIFF 68½.
Meet MIFF Ambassador Ben Shewry
Ben Shewry discusses creative collaboration, his love of MIFF and the importance of ‘paying it forward’ to First Nations peoples.
Meet MIFF Ambassador Rachel Griffiths
Rachel Griffiths shares some thoughts about MIFF 68½.