Revue

Aftersun and the Great Unknown

Critics Campus participant Lily Rogers examines the calibrations of suggestion, subtlety and reticence in Charlotte Wells’s Aftersun.

By Lily Rodgers | 18 Aug 2022
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Critics Campus Reviews

The Australian Ugliness: Thomas M. Wright’s The Stranger

Critics Campus participant Andrew Fraser unravels the ethical tightrope trod by Thomas M. Wright’s The Stranger and male-focused true-crime films of its ilk.

By Andrew Fraser | 18 Aug 2022

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Interviews Critics Campus

Homeward Bound: An Interview with Sue Thomson

Critics Campus participant Ellen O’Brien speaks to Under Cover director Sue Thomson about her connection to older women and homelessness, navigating the public storytelling of private and intimate experiences, and working with Hollywood star Margot Robbie.

By Ellen O’Brien | 17 Aug 2022

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Critics Campus Reviews

The Smaller Picture: Itsy Bits of Life in Marcel the Shell with Shoes On

Critics Campus participant Isabelle Carney reflects on perspective, empathy and context, as depicted in Marcel the Shell With Shoes On.

By Isabelle Carney | 16 Aug 2022

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Critics Campus Reviews Video Essay

Video Essay: The Afterlight

Critics Campus participant Digby Houghton questions the role of contemporary cinephiles in today’s climate. Using Charlie Shackleton’s single-print film The Afterlight as a backdrop, Houghton explores ephemerality, memorabilia and bias in film preservation.

By Digby Houghton | 13 Aug 2022

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Critics Campus Reviews

Intimacy and Insight: Jane by Charlotte and Documentary as Personal Care

Critics Campus participant James Walsh delves into the revelatory Jane by Charlotte, contrasting Charlotte Gainsbourg’s filmmaking approach with that of Jane B. par Agnès V. director Agnès Varda.

By James Walsh | 12 Aug 2022

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Critics Campus Reviews

Out With the Old: Plan 75, Incredible but True and the Fear of Ageing on Screen

Critics Campus participant Brooke Heinz explores two MIFF 70 sci-fi films’ distinctly executed yet converging warnings against resisting the course of nature.

By Brooke Heinz | 11 Aug 2022

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Interviews

Illustrated Film Talks – Q&A with Adrian Wootton OBE

Former London Film Festival and British Film Institute director Adrian Wootton OBE returns to celebrate the 10th Melbourne instalment of his illustrious Illustrated Film Talks series. In conversation with MIFF, he offers a teaser for his upcoming talks about Cher, Elvis, David Bowie and Baz Luhrmann.

By MIFF Staff | 27 Jul 2022

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Interviews Critics Campus

The Trappings of Wealth: An Interview with Amalia Ulman

Critics Campus 2021 participant Charlotte Daraio speaks to Amalia Ulman about poverty, preconceptions and the cultural pressure of “being proper”, as depicted in her film El Planeta.

By Charlotte Daraio | 25 Apr 2022

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Critics Campus Reviews

A Fantasy of Control: Agency and Abrasiveness in The Scary of Sixty-First

Critics Campus 2021 alumnus Jared Richards dives head-first into the manic imagery and manifold references of Dasha Nekrasova’s provocative The Scary of Sixty-First.

By Jared Richards | 18 Apr 2022

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Interviews Q&As

Post-screening Q&A: River

From mountain high to river deep, director Jennifer Peedom follows her 2017 MIFF hit Mountain with a stunning new cine-sonic journey along the world’s waterways.

By MIFF Staff | 12 Apr 2022