MIFF 2019 Critics Campus participant Zoë Almeida Goodall explores the complexities of Quentin Tarantino's already-controversial and much-anticipated new film, Once Upon a Time in Hollywood.

2019 MIFF Critics Campus Jamie Tram shares his thoughts on Guy Nattiv's film Skin and the complexities of representing racism.

Maya Newell’s In My Blood It Runs is considered from a range of different critical perspectives by four of our 2019 Critics Campus participants, including Michael Sun, Isabella Trimboli, Jamie Tram, and Olivia Bennett.

Isabella Trimboli is a MIFF 2019 Critics Campus participant who interrogates questions of class in the United Kingdom in two films playing at this year's festival: Ken Loach's Sorry We Missed You and Joanna Hogg's The Souvenir.

The lives of Pasifika women told in eight films by eight directors with eight actresses in the portmanteau movie Vai is the subject of MIFF 2019 Critics Campus participant Claire Cao's appreciative critical eye.

The politics of fishing and its social impact in two films at this year's festival – Bait and Buoyancy – are the subject of this deep dive by 2019 Critics Campus participant Olivia Bennett.

Abel Ferrara reunites once again with regular collaborator Willem Dafoe for their latest film Tommaso, examined by 2019 MIFF Critics Campus participant Luke McCarthy.

From the frontlines of the 2019 MIFF Critics Campus, participant Zach Karpinellison shares his reflections on Taiwanese filmmaker Tsai Ming-Liang's moving cinema experience Your Face.