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Revue
Landscapes of Trauma: An Interview with Miranda Nation, writer and director of Undertow
MIFF 2018 Critics Campus participant Eliza Janssen interviews the writer/director of the MIFF Premiere Fund-supported Undertow, Miranda Nation.
The Art of the Documentary: An Interview with Pietra Brettkelly
2018 Critics Campus participant Valerie Ng spoke to Yellow is Forbidden director Pietra Brettkelly about her artistic process, and the responsibility of being a documentary filmmaker.
Fool's Goal: An interview with Damsel co-director and actor David Zellner
MIFF 2018 Critics Campus participant Ivana Brehas caught up with festival guest David Zellner to discuss the goofy, contemporary Western, Damsel.
Burning and the adaptations of Haruki Murakami
MIFF 2018 Marketing Intern Claudia Biaggini takes us through Murakami's Barn Burning and the filmic adaptations of his works.
Shoplifters, Four Ways
Four participants from this year's Critics Campus - Sam Harris, Eliza Janssen, Claire White, and James Waters - tackle Hirokazu Kore-eda's Shoplifters from four different perspectives.
The Miseducation of Cameron Post, Four Ways
Desiree Akhavan's The Miseducation of Cameron Post is approached from four different perspectives by MIFF2018 Critics Campus participants Ivana Brehas, Debbie Zhou, Valerie Ng, and André Shannon.
It’s Like He Was Never Really Here: How Lynne Ramsay Externalises Inner Trauma in You Were Never Really Here
MIFF2018 Critics Campus participant Debbie Zhou considers Lynne Ramsay's breathtaking You Were Never Really Here through the lens of her previous films.
Bodied: Look What You Made Joseph Kahn Do
MIFF2018 participant Sam Harris celebrates the work of Joseph Kahn through the release of his latest feature, Bodied.
Third Wave Nicolas Cage
MIFF2018 participant Eliza Janssen braves the wild, weird world of Nicolas Cage in anticipation of the upcoming Cage-A-Thon!
Like How I Pictured It: Fangirls and the Enduring Power of the Boyband
From the sweaty front row of the MIFF2018 Critics Campus, participant Ivana Brehas writes about Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story
Dance in the Art Film
Inspired by Gaspar Noé’s Climax, MIFF2018 Critics Campus participant André Shannon’s video essay looks into the relationship between dance and art film