High contrast, black and white negative was rotascoped, yielding highly coloured animation drawings. Integrating the original black and white negative and positive on an optical printer, complex patterns of alternating colour, and black and white frames are formed. The filmmaker reminisces about being fourteen, and describes how he rotascoped the drawings.

Ivor Cantrili is autistic, and his attention to detail and his preoccupation with repetition are positive aspects of his autistic condition.