Werner Schroeter is a living, avant garde leg­end - "Germany's greatest marginal direc­tor", according to Thomas Elsaesser - whose heady brew of passionate melodrama, queer sexuality and experimental form, and his abun­dant love for actors and performance styles, has greatly influenced the course of modern cinema. In Love's Debris Schroeter sets up a 'between documentary and fiction' situation. He invites various renowned opera singers (including Anita Cerquetti, Rita Gorr and Martha Modl) to work with him on the staging of an aria for the camera - also employing a few other guests, including isabelle Huppert. Schroeter takes the opportuni­ty to quiz each participant intimately on the top­ics of love, art and death. The results combine Schroeter's profound respect for operatic tradi­tions with his typically droll, ludic and subversive departures from tradition.