Critics Campus 2021 participant Ying-Di Yin speaks to Chef Antonio’s Recipes for Revolution director Trevor Graham about documenting the intricacies of life, labour and love, as well as building trust with one’s film subjects.
Critics Campus 2021 participant Tiia Kelly, in conversation with Come Back Anytime director John Daschbach, explores cuisine, community and the importance of positivity during this time of precarity.
Critics Campus 2021 participant Louise Cain speaks to Faya Dayi director Jessica Beshir about intention, instinct and creating spaces for stories to unfold on their own.
Critics Campus participant Vyshnavee Wijekumar takes an in-depth look at Off Country and The Kids, two documentaries that explore the experiences of young people within vulnerable communities across different eras and geographic locations.
Critics Campus 2021 participant Jared Richards speaks to Dry Winter director Kyle Davis about big transitions – from short to feature filmmaking, and in life – as well as depicting rural Australia in his affecting film.
Critics Campus 2021 participant Tiia Kelly unpicks the thematic and artistic threads weaving together the short films in the Bodies in Motion package.
Ayten Amin’s Souad is given the critical treatment by four of our 2021 Critics Campus participants: Tiia Kelly, Hassan Abul, Vyshnavee Wijekumar and Ying-Di Yin.
Theo Anthony’s All Light, Everywhere receives some critical attention from four of our 2021 Critics Campus participants: Muhib Nabulsi, Jared Richards, Charlotte Daraio and Louise Cain.
Critics Campus 2021 participant Ying-Di Yin examines the portrayals of death, diaspora and family in I Was a Simple Man.
Critics Campus 2021 participant Vyshnavee Wijekumar speaks to Palazzo di Cozzo director Madeleine Martiniello about Franco Cozzo’s legacy, community and the changing face of Melbourne.