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Revue
“A Physical Response”: Ariāna Osborne on Mārama
Critics Campus 2026 participant Alia Ardon speaks to Mārama star Ariāna Osborne about how she developed her performance, acting methodologies that have inspired her and the global resonance of Indigenous storytelling.
“Films Should Be Sound and Images”: An Interview With Lisandro Alonso
Critics Campus 2026 participant Jamie Tak speaks to director Lisandro Alonso about audience expectations, the importance of objects and landscapes in his filmmaking, and the influence of Iranian cinema on his work.
Shadow Incarnate: Corrin Evans on Corpus
Critics Campus 2026 participant Andrew Cordon speaks to director Corrin Evans about Jungian archetypes, intimacy coordination and representations of sexuality in the context of erotic thriller Corpus.
Close Encounters of the Kiwi Kind: Mum, I’m Alien Pregnant
Critics Campus 2026 participant Guy Webster speaks to directorial duo THUNDERLIPS about medical misogyny, genre tropes, and finding the right balance between comedy and body horror in their outrageous feature directorial debut.
Connecting Across Time: Sophy Romvari on Blue Heron
Critics Campus 2026 participant Guuleed Ismail speaks to Sophy Romvari about travel, technology, and the large and small elements of her own life that have found their way into her emotionally devastating debut feature.
Gold Coast Dreamin’: Adam C. Briggs on Phillip Philadelphia
Critics Campus 2026 participant Heather Fraser speaks to Adam C. Briggs about Australiana, autonomy and the prolific link between outré creativity and the ‘fuck-up freak’ community, as exemplified by his audacious fever dream Phillip Philadelphia.
Versions of the Self: Paloma Schneideman on Big Girls Don’t Cry
Critics Campus 2026 participant Alexander Holiday speaks to Paloma Schneideman about liminality, visibility and interpersonal longing, as depicted in her stirringly bittersweet portrait of queer adolescence.
Capturing Moments: Vee Shi on Time and Tide
Critics Campus 2026 participant Wen-Juenn Lee speaks to Vee Shi about family, the blurring of character and candour, and the curious ways that fiction can coax out emotional truths, as seen in his poignant hybrid documentary.
Feeling and Solitude: Lisandro Alonso on Politics, Film Funding and ‘Slow Cinema’
MIFF Publications Manager David Heslin speaks to Lisandro Alonso about the ideas that motivate his work, the challenges of finding backers in an age of transnational funding and the importance of taking time to connect with what we see onscreen.
Critics Campus: Where Are They Now? (Part 5)
In the fifth instalment of a series in which we shine a spotlight on Critics Campus’s illustrious alumni, we speak to Michelle Wang (2020 cohort), Charles Carrall (2023 cohort) and Indigo Bailey (2023 cohort) about where their professional paths have led since their participation in MIFF’s incubator program for emerging critics.
“A Tradition of Reinvention”: Lorin Clarke on But Also John Clarke
Lorin Clarke speaks about the challenges of documentary storytelling, the changing cultural footprint of television and her own journey in making the film.