2020
Al Cossar

Stay Home. See the World.
In any year, the Melbourne International Film Festival (MIFF) is iconic to Melbourne: an extraordinary annual survey of the world of cinema, the world’s largest celebration of Australia’s own filmmaking, and a pure point of togetherness for our city and creative communities. It is a terrible thing to lose – and a necessary thing to reimagine when that happens.
The cancellation of MIFF’s traditional winter delivery in Melbourne, amid the developing COVID19 situation, was an imperative and responsible decision for public health and community safety. In this setting, MIFF 68½ is what, unexpectedly, came between MIFF’s 68th and 69th editions.
For a festival almost seven decades old, 2020 was a year of firsts. Our festival, for the first time, was presented digitally. For the first time, seen nationally. An entirely new way to sustain MIFF’s amazing film programming in the most unique and challenging of circumstances – a new way to connect with and foster audiences in the most difficult of moments, produced and seen under Stage 4 lockdown conditions.
MIFF 68½ showcased 118 films from 56 different countries, along with incredible virtual guests and online talks. Out of the cinema and into the lounge room, our audiences embraced the possibilities of cinema, with the festival achieving a viewership of 370,000 across the country. And we achieved the aspiration of gender parity in the program.
In the process, we found that art’s compelling properties – to see beyond ourselves, to inhabit the imaginations of others, to cultivate a spark of response and an inspiration within us as viewers – remain so for our community, regardless of the world around us.
In 2020, during an unthinkable point of vulnerability for festival culture, for the arts and for those at home disconnected from all of it – we thank you for your interest, your engagement, your contribution. Your support continues to be an unforgettable, indelible reason that MIFF is able to break new ground and build new possibilities each year.
Films

3 Logical Exits

9to5 - The Story of a Movement

Ali's Circle

All Cats Are Grey in the Dark

Anne at 13,000 Ft

Atlantis

B I N O

Bento Harrassment

Birds of Paradise

Black Bear

Bloody Nose, Empty Pockets

Bombay Rose

Born to Be

Boys State

Call History

City So Real

Coded Bias

Corpus Christi

Da Yie

Dark City Beneath the Beat

Darling

DAU. Natasha

Day in the Life

Digger

Dingo

Don't Forget to Go Home

Ellie & Abbie (& Ellie's Dead Aunt)

Ema

Exile

Farewell Amor

First Cow

Flesh

Ghosts

He Can't Live Without Cosmos

Hong Kong Moments

Human Nature

Hyenas (Before Nightfall #12 Recut)

Hyenas (Restoration)

I Used to Go Here

Identifying Features

Inès

Instructions to Let Go

Just 6.5

Kala Azar

Kapaemahu

Kill It and Leave This Town

Kuessipan

La Llorona

Lara

Last and First Men

Laura

Looky Looky Here Comes Cooky

Los Lobos

Maddy the Model

Marona's Fantastic Tale

Martin Margiela: In His Own Words

Mayor

Mogul Mowgli

Mother Bunker

Nevia

Nimic

No Hard Feelings

Not a Wallflower

Objects of My Disaffection

On the Record

Outside the Oranges Are Blooming

Paper Champions

Paris Calligrammes

Perfect 10

Pillars

Pinion

Playback

Prayer for a Lost Mitten

Rebuilding Paradise

Roqaia

Rose Plays Julie

Servants

She Dies Tomorrow

Shirley

Shiva Baby

Silica

Sky Aelans

Some Kind of Heaven

Something to Remember

Songs of Repression

Speak So I Can See You

State Funeral

Still Working

Suk Suk

Sunless Shadows

Sweet Thing

T

Tâm

Thanks for the Ride

The Diver

The Echo

The Fever

The Giverny Document (Single Channel)

The Go-Go's

The Killing of Two Lovers

The Leadership

The Letter

The Meddler

The Metamorphosis of Birds

The Moogai

The Plastic House

The Stranger

The Tango of the Widower and Its Distorting Mirror

The Weight of All the Beauty

This Is Not a Burial, It's a Resurrection

Two of Us

Umbilical

Under the Sun

Up at Night

Vitalina Varela

Wade

Welcome to Chechnya

Wendy

Wet Season

White Snake

Women Make Film: A New Road Movie Through Cinema
