Interested in writing for our blog? Send your pitches to editor@miff.com.au.
Revue
Souad – Four Ways
Ayten Amin’s Souad is given the critical treatment by four of our 2021 Critics Campus participants: Tiia Kelly, Hassan Abul, Vyshnavee Wijekumar and Ying-Di Yin.
All Light, Everywhere – Four Ways
Theo Anthony’s All Light, Everywhere receives some critical attention from four of our 2021 Critics Campus participants: Muhib Nabulsi, Jared Richards, Charlotte Daraio and Louise Cain.
Meditations on Mortality: Christopher Makoto Yogi’s I Was a Simple Man
Critics Campus 2021 participant Ying-Di Yin examines the portrayals of death, diaspora and family in I Was a Simple Man.
Everyday Spectres: Madiano Marcheti’s Madalena
Critics Campus 2021 participant Louise Cain dissects the depictions of class conflict, trans identity and the supernatural in Madalena.
Success Story: Madeleine Martiniello’s Palazzo di Cozzo
Critics Campus 2021 participant Hassan Abul discusses migration, nostalgia and ownership – of objects and stories – as explored in Palazzo di Cozzo.
A Labour of Love: The Metamorphosis of Birds
Critics Campus 2020 participant Isabella Mahoney dissects the representations of memory and intimacy in Catarina Vasconcelos’ The Metamorphosis of Birds.
Sumptuous Cityscape: Gitanjali Rao’s Bombay Rose
Critics Campus 2020 participant Shaheen Ahmed joins ABC Radio National The Screen Show presenter Jason Di Rosso to discuss Gitanjali Rao’s Bombay Rose.
Connection Failed: The Echo, Call History, Don’t Forget to Go Home
Critics Campus 2020 participant Bruce Koussaba discusses how the themes of disconnection, distance and identity unfold in the short films The Echo, Call History and Don’t Forget to Go Home.
High and Dry: Anthony Chen’s Wet Season
Critics Campus 2020 participant Michelle Wang takes a look at the portrayals of loneliness and yearned-for comfort in Anthony Chen’s Wet Season.
Hauntings of Memory: The Past Relived in Playback
Critics Campus 2020 participant Angus McGrath delves into recollection, representation and materiality as seen in Agustina Comedi’s Playback.
Transformation and Self-Destruction in Anne at 13,000 Ft
Critics Campus 2020 participant Annika Morling dives into the sensitive, skilful character study that is Kazik Radwanski’s Anne at 13,000 Ft.