Revue

Souad – Four Ways

Ayten Amin’s Souad is given the critical treatment by four of our 2021 Critics Campus participants: Tiia Kelly, Hassan Abul, Vyshnavee Wijekumar and Ying-Di Yin.

17 Aug 2021
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Critics Campus Reviews

All Light, Everywhere – Four Ways

Theo Anthony’s All Light, Everywhere receives some critical attention from four of our 2021 Critics Campus participants: Muhib Nabulsi, Jared Richards, Charlotte Daraio and Louise Cain.

16 Aug 2021

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Critics Campus Reviews

Meditations on Mortality: Christopher Makoto Yogi’s I Was a Simple Man

Critics Campus 2021 participant Ying-Di Yin examines the portrayals of death, diaspora and family in I Was a Simple Man.

By Ying-Di Yin | 15 Aug 2021

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Critics Campus Reviews

Everyday Spectres: Madiano Marcheti’s Madalena

Critics Campus 2021 participant Louise Cain dissects the depictions of class conflict, trans identity and the supernatural in Madalena.

By Louise Cain | 13 Aug 2021

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Critics Campus Reviews

Success Story: Madeleine Martiniello’s Palazzo di Cozzo

Critics Campus 2021 participant Hassan Abul discusses migration, nostalgia and ownership – of objects and stories – as explored in Palazzo di Cozzo.

By Hassan Abul | 12 Aug 2021

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Critics Campus Reviews

A Labour of Love: The Metamorphosis of Birds

Critics Campus 2020 participant Isabella Mahoney dissects the representations of memory and intimacy in Catarina Vasconcelos’ The Metamorphosis of Birds.

By Isabella Mahoney | 14 Aug 2020

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Critics Campus Reviews

Sumptuous Cityscape: Gitanjali Rao’s Bombay Rose

Critics Campus 2020 participant Shaheen Ahmed joins ABC Radio National The Screen Show presenter Jason Di Rosso to discuss Gitanjali Rao’s Bombay Rose.

By Shaheen Ahmed | 14 Aug 2020

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Critics Campus Reviews

Connection Failed: The Echo, Call History, Don’t Forget to Go Home

Critics Campus 2020 participant Bruce Koussaba discusses how the themes of disconnection, distance and identity unfold in the short films The Echo, Call History and Don’t Forget to Go Home.

By Bruce Koussaba | 13 Aug 2020

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Critics Campus Reviews

High and Dry: Anthony Chen’s Wet Season

Critics Campus 2020 participant Michelle Wang takes a look at the portrayals of loneliness and yearned-for comfort in Anthony Chen’s Wet Season.

By Michelle Wang | 13 Aug 2020

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Critics Campus Reviews

Hauntings of Memory: The Past Relived in Playback

Critics Campus 2020 participant Angus McGrath delves into recollection, representation and materiality as seen in Agustina Comedi’s Playback.

By Angus McGrath | 13 Aug 2020

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Critics Campus Reviews

Transformation and Self-Destruction in Anne at 13,000 Ft

Critics Campus 2020 participant Annika Morling dives into the sensitive, skilful character study that is Kazik Radwanski’s Anne at 13,000 Ft.

By Annika Morling | 12 Aug 2020