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Revue
The Gay Generation Gap in Suk Suk and Ellie & Abbie (& Ellie’s Dead Aunt)
Critics Campus 2020 participant Merryana Salem examines the handling of intergenerational LGBTQIA+ issues in Suk Suk and Ellie & Abbie (& Ellie’s Dead Aunt).
Walls of Silence: Outside the Oranges Are Blooming and The Plastic House
Critics Campus 2020 participant Jack Rowland explores the depictions of silence and solace in Outside the Oranges Are Blooming and The Plastic House.
Reconciliation cinema: First Nations filmmaking at MIFF
In honour of National Reconciliation Week 2020, we’ve compiled a list of MIFF-featured titles made by, or in collaboration with, Aboriginal and Torres Strait Islander peoples.
MIFF Docos To Watch From Home
Five of the best MIFF-featured documentaries you can stream online from Programmer Kate Fitzpatrick.
Itchy Feet: Films That Beckon You Outside & Inwards
A curated list of streamable titles from MIFF Programmer Kate Jinx.
Stay-Put Cinema
Artistic Director Al Cossar recommends stories of people stuck in place by choice, or circumstance.
Other Worlds: Spirituality and the Refugee Experience
MIFF2018 Critics Campus participant Valerie Ng explores the spiritual side of the refugee experience through Gabrielle Brady’s The Island of the Hungry Ghosts and Beatriz Seigner’s Los Silencios.
Kate Plays Christine, Four Ways
Critics Campus 2016 participants Jessica Ellicott, Doosie Morris, Andréas Giannopoulos and Dominic Barlow review Robert Greene's Kate Plays Christine.
Jerry Lewis: The Total Filmmaker Retrospective
To celebrate the MIFF 2016 Jerry Lewis program, the Melbourne-based online film journal Senses of Cinema has published a specially commissioned dossie...