Amanda Nell Eu’s coming-of-age body horror Tiger Stripes gets the critical treatment from four of our Critics Campus participants: Christy Tan, Kevin Bui, Đăng Tùng Bach and Erika Lay.

Critics Campus participant Charles Carrall analyses the messy ménage à trois at the heart of Ira Sachs’s film, in which sex provides plenty of questions and few answers.

Critics Campus participant Eric Jiang discusses three MIFF films that each deal with love triangles using different narrative approaches – presenting these situations as variously damaging, ambiguous and powerfully transformative.

Critics Campus participant Erika Lay analyses Mast-del and Lotus-Eyed Girl – two short films that each use the body to interrogate how erotic desire and national identity alike can be constructed and subverted via the act of looking.

Critics Campus participant Lauren Collee discusses the moral ambiguities and absolutes that emerge in Hirokazu Kore-eda’s tale of institutional malaise and tentative queer romance.

Critics Campus participant Indigo Bailey examines the unsettling and controversial combination of horror and sensuality in Claire Denis’s brutal, beguiling 2001 feature.

Owen Kline’s coming-of-age black comedy Funny Pages gets the critical treatment from four of our 2022 Critics Campus participants: Andrew Fraser, Ellen O’Brien, Lamya Nawar and Brooke Heinz.

Critics Campus participant Ellen O’Brien reflects on the entanglement of fascination, aspiration and alienation when watching screen portrayals of wealth, using Halina Reijn’s Bodies Bodies Bodies as her jumping-off point.