Marley McDonald and Brian Becker’s debut documentary Time Bomb Y2K receives some critical attention from four of our Critics Campus participants: Lauren Collee, Eric Jiang, Charles Carrall and Indigo Bailey.

Amanda Nell Eu’s coming-of-age body horror Tiger Stripes gets the critical treatment from four of our Critics Campus participants: Christy Tan, Kevin Bui, Đăng Tùng Bach and Erika Lay.

Critics Campus participant Charles Carrall analyses the messy ménage à trois at the heart of Ira Sachs’s film, in which sex provides plenty of questions and few answers.

Critics Campus participant Eric Jiang discusses three MIFF films that each deal with love triangles using different narrative approaches – presenting these situations as variously damaging, ambiguous and powerfully transformative.

Critics Campus participant Kevin Bui examines Paul Schrader’s shift away from narratives of retribution and towards tales of personal growth – culminating in one of his most hopeful, if also most difficult, films.

Critics Campus participant Christy Tan takes a look at the political and aesthetic questions posed by William Greaves’s radical 1968 docufiction experiment.

Critics Campus participant Erika Lay analyses Mast-del and Lotus-Eyed Girl – two short films that each use the body to interrogate how erotic desire and national identity alike can be constructed and subverted via the act of looking.

Critics Campus participant Lauren Collee discusses the moral ambiguities and absolutes that emerge in Hirokazu Kore-eda’s tale of institutional malaise and tentative queer romance.

Critics Campus participant Indigo Bailey examines the unsettling and controversial combination of horror and sensuality in Claire Denis’s brutal, beguiling 2001 feature.

Owen Kline’s coming-of-age black comedy Funny Pages gets the critical treatment from four of our 2022 Critics Campus participants: Andrew Fraser, Ellen O’Brien, Lamya Nawar and Brooke Heinz.