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Revue
Carnal Cravings: The Limits of Desire in Claire Denis’s Trouble Every Day
Critics Campus participant Indigo Bailey examines the unsettling and controversial combination of horror and sensuality in Claire Denis’s brutal, beguiling 2001 feature.
Critics Campus: Where Are They Now? (Part 2)
We speak to Critics Campus alumni Aimee Knight (2016 cohort), Conor Bateman (2015 cohort) and Claire Cao (2019 cohort) about where their professional paths have led since their participation in MIFF’s incubator program for emerging critics.
Critics Campus: Where Are They Now? (Part 1)
We speak to Critics Campus alumni Michael Sun (2019 cohort), Isabella Trimboli (2019 cohort) and David Heslin (2015 cohort) about where their professional paths have led since their participation in MIFF’s incubator program for emerging critics.
Critics Campus: Q&A with Debbie Zhou and Jessica Kiang
We speak to Debbie Zhou and Jessica Kiang about their experiences as mentee and mentor, respectively, during MIFF 2018’s Critics Campus.
The Act of Articulation: An Interview with Tony Ayres
Critics Campus participant James Walsh speaks to The Home Song Stories director Tony Ayres about exposing the personal, the power of storytelling and what’s next for the screen.
Glitter Gore and Magical Madness: An Interview with Hannah Barlow
Critics Campus participant Lamya Nawar speaks to Hannah Barlow about self-awareness, self-forgiveness, and the power and perils of social media, as tackled in the pop-horror film Sissy.
Remembering the Radical: An Interview with John Hughes
Critics Campus participant Digby Houghton speaks to Senses of Cinema co-director John Hughes about subversion, collective filmmaking and historiography.
Down the Rabbit Hole: An Interview with Alena Lodkina
Critics Campus participant Andrew Fraser speaks to Petrol writer/director Alena Lodkina about creative synergies, cultural cringe and challenging audiences to watch films as co-creators.
A Film That Talks: An Interview with Beck Cole
Critics Campus participant Lily Rodgers speaks to director Beck Cole about collaboration, revelation and transformative storytelling as embodied in the dynamic anthology We Are Still Here.
Funny Pages – Four Ways
Owen Kline’s coming-of-age black comedy Funny Pages gets the critical treatment from four of our 2022 Critics Campus participants: Andrew Fraser, Ellen O’Brien, Lamya Nawar and Brooke Heinz.
Your Money, My Problem: Halina Reijn’s Bodies Bodies Bodies
Critics Campus participant Ellen O’Brien reflects on the entanglement of fascination, aspiration and alienation when watching screen portrayals of wealth, using Halina Reijn’s Bodies Bodies Bodies as her jumping-off point.