Ayten Amin’s Souad is given the critical treatment by four of our 2021 Critics Campus participants: Tiia Kelly, Hassan Abul, Vyshnavee Wijekumar and Ying-Di Yin.

Theo Anthony’s All Light, Everywhere receives some critical attention from four of our 2021 Critics Campus participants: Muhib Nabulsi, Jared Richards, Charlotte Daraio and Louise Cain.

Critics Campus 2021 participant Ying-Di Yin examines the portrayals of death, diaspora and family in I Was a Simple Man.

Critics Campus 2021 participant Hassan Abul discusses migration, nostalgia and ownership – of objects and stories – as explored in Palazzo di Cozzo.

Critics Campus 2020 participant Merryana Salem, in conversation with Born to Be director Tania Cypriano, delves into allyship, intra-community diversity, and authentic and sensitive transgender portrayals.

Critics Campus 2020 participant Isabella Mahoney speaks to Speak So I Can See You director Marija Stojnić about Radio Belgrade, the power of archival voices and escaping noise pollution during the pandemic.

Critics Campus 2020 participant Shaheen Ahmed speaks to The Letter directors Christopher King and Maia Lekow about their documentary’s treatment of religion, tradition and family dynamics in Kenya.

Critics Campus 2020 participant Annika Morling speaks to Some Kind of Heaven director Lance Oppenheim about humour, heartbreak and authenticity as seen in his tender documentary.