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Revue
Filming a Feeling: An Interview with John Daschbach
Critics Campus 2021 participant Tiia Kelly, in conversation with Come Back Anytime director John Daschbach, explores cuisine, community and the importance of positivity during this time of precarity.
Light and Darkness: An Interview with Jessica Beshir
Critics Campus 2021 participant Louise Cain speaks to Faya Dayi director Jessica Beshir about intention, instinct and creating spaces for stories to unfold on their own.
Podcast: The Kids Will Be Alright
Critics Campus participant Vyshnavee Wijekumar takes an in-depth look at Off Country and The Kids, two documentaries that explore the experiences of young people within vulnerable communities across different eras and geographic locations.
Transience and Transformation: An Interview with Kyle Davis
Critics Campus 2021 participant Jared Richards speaks to Dry Winter director Kyle Davis about big transitions – from short to feature filmmaking, and in life – as well as depicting rural Australia in his affecting film.
Transcending the Solitary Body in Bodies in Motion
Critics Campus 2021 participant Tiia Kelly unpicks the thematic and artistic threads weaving together the short films in the Bodies in Motion package.
Souad – Four Ways
Ayten Amin’s Souad is given the critical treatment by four of our 2021 Critics Campus participants: Tiia Kelly, Hassan Abul, Vyshnavee Wijekumar and Ying-Di Yin.
All Light, Everywhere – Four Ways
Theo Anthony’s All Light, Everywhere receives some critical attention from four of our 2021 Critics Campus participants: Muhib Nabulsi, Jared Richards, Charlotte Daraio and Louise Cain.
Meditations on Mortality: Christopher Makoto Yogi’s I Was a Simple Man
Critics Campus 2021 participant Ying-Di Yin examines the portrayals of death, diaspora and family in I Was a Simple Man.
Building the Palazzo: An Interview with Madeleine Martiniello
Critics Campus 2021 participant Vyshnavee Wijekumar speaks to Palazzo di Cozzo director Madeleine Martiniello about Franco Cozzo’s legacy, community and the changing face of Melbourne.
Everyday Spectres: Madiano Marcheti’s Madalena
Critics Campus 2021 participant Louise Cain dissects the depictions of class conflict, trans identity and the supernatural in Madalena.
Success Story: Madeleine Martiniello’s Palazzo di Cozzo
Critics Campus 2021 participant Hassan Abul discusses migration, nostalgia and ownership – of objects and stories – as explored in Palazzo di Cozzo.